BIOGRAPHY

Praised for "clarion high notes placed with unfailing precision," (Washington Classical Review) tenor Matthew Hill is a versatile performer who excels in opera, oratorio, art song, and musical theatre.

Highly regarded for his interpretations of Bach, Matthew’s Evangelist was praised by the Washington Post for “deliver[ing] the Gospel texts with agile conviction.” Matthew has appeared as a concert soloist with ensembles including the Baltimore Symphony Orchestra, Boston Pops, Washington National Cathedral, American Bach Soloists, the Washington Bach Consort, and the Thirteen, in repertoire including Bach's Mass in B Minor, Bach's St. Matthew and St. John Passions, Handel’s Messiah and Israel in Egypt, Mozart’s Requiem, Britten's Serenade for Tenor, Horn, and Strings, and Stravinsky’s Les Noces. Additionally, Matthew is a founding member of The Polyphonists and a member of the U.S. Air Force Singing Sergeants. 

Matthew’s stage credits include: the title roles in Rameau’s Pygmalion and Handel’s Belshazzar with the American Bach Soloists, Candide (cover – Candide) with Washington National Opera, Older brother in Dead Man Walking (Washington National Opera), Jack in Into the Woods (Annapolis Opera), Marcellus in Ambroise Thomas's Hamlet (Washington Concert Opera), Parpignol in La Bohème (Wolf Trap Opera), Tamino in Die Zauberflöte (Maryland Opera Studio and Siena Music Festival), Don Ottavio in Don Giovanni (Maryland Opera Studio), and Damon in Acis and Galatea (New Dominion Chorale). 

Matthew was awarded 1st place in the Bethlehem Bach Young American Singers Competition, the National Association of Teachers of Singing Artist Awards, and the Washington International Competition for Voice. He has also won prizes at the following competitions: the Metropolitan Opera National Council Mid Atlantic Regional Competition, Oratorio Society of New York Competition, the Lotte Lenya Competition, the Jensen Foundation Vocal Competition, the National Society of Arts and Letters Dorothy Lincoln-Smith Voice Competition, Choralis Young Artist Competition, and the Vocal Arts DC Art Song Competition. Matthew holds degrees from the University of Maryland, College Park.

PRESS

Belshazzar
American Bach Soloists

“I saved the best for last, as personally I felt the night belonged to Hill as the title role. With a booming voice, an extraordinary breath control, a mastery of coloratura technique and a commanding stage presence to boot, he was simply a sight to behold... Hill received the biggest applause during the bows!”
Read full review »

Parterre Box - By Michael Anthonio • August 3, 2022

Messiah - Washington National Cathedral

“Hot-voiced tenor Matthew Hill stepped in to replace celebrated ‘Messiah’ tenor Rufus Müller — a tall order he met with verve and confidence... delivering a striking introduction... and smashing the proverbial potter’s vessel with a fiery air.”

Read full review »

Washington Post - By Michael Andor Brodeur • December 11, 2023

Into the Woods (Annapolis Opera)

“Matthew Hill plays Jack with a joyful exuberance, allowing for great comedy. He sings a tearful farewell to his cow in ‘I Guess This Is Goodbye’... giving joy at a new adventure in ‘Giants in the Sky.’”
Read full review »

— DC Metro Theater Arts - March 19, 2022

“Matthew Hill made quite a favourable impression... with his bright, agile tenor.””

Opera MagazineMaometto secondo (Washington Concert Opera)
By Tim Smith • June 2022

“Tenor Matthew Hill lit up the fourth section (‘They get it’) with searing solo contributions with a soulful edge.”

Washington PostNew American Songbook (The Thirteen)
By Michael Andor Brodeur • May 5, 2025